Solaris (). , FilmScience Fiction. In Anlehnung an Stanislaw Lems Roman präsentiert Steven Soderbergh ein Mystery-Abenteuer über. Solaris bewegt sich dichter an Tarkowskis Adaption als am Roman. Beide Filme interessieren sich weniger für das Science-Fiction-Setting und rücken stattdessen. Solaris - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | advokat-zh.eu
Solaris Film Inhaltsangabe & Details
Auf der Forschungsstation `Prometheus' im Orbit des Planeten Solaris geschehen beängstigende Dinge. Der Wissenschaftler Chris Kelvin wird von seinem Freund Gibarian, dem Missionsleiter, zu Hilfe gerufen. Als er auf der Raumstation ankommt, hat. Solaris (). aus Wikipedia, der freien Enzyklopädie. Zur Navigation springen Zur Suche springen. Film. Buch und Film[Bearbeiten | Quelltext bearbeiten]. Im Oktober hatte Tarkowski dem zentralen sowjetischen Filmbüro Goskino. Solaris ein Film von Steven Soderbergh mit George Clooney, Natascha McElhone. Inhaltsangabe: Der Psychologen Dr. Chris Kelvin (George Clooney) wird. I bought the version of this film that is sold as SOLARIS/STEEL EDITION - MOVIE, as usual Amazon lump every review for every format together, including all the. Solaris - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | advokat-zh.eu Die Filme des Russen Andrei Tarkowski scheinen für die Ewigkeit geschaffen, und so hat auch sein Science-Fiction-Film SOLARIS etwas absolut Zeitloses (die.
Die Filme des Russen Andrei Tarkowski scheinen für die Ewigkeit geschaffen, und so hat auch dieses Werk etwas absolut Zeitloses. Solaris geht auf den . Filmkritik zu Solaris. Ein Bildzyklus des Staunens über die ewige Wiederkehr der verloren geglaubten Liebe. Die Filme des Russen Andrei Tarkowski scheinen für die Ewigkeit geschaffen, und so hat auch sein Science-Fiction-Film SOLARIS etwas absolut Zeitloses (die. Chris hatte auf der Erde eine anfangs sehr glückliche Beziehung zu Rheya. Fotografische Stills, deren einsames Zentrum er ist, zwei kurze Bewegtbild-Sequenzen voller Blade-Runner-Stimmung, in deren Verlauf sich die von Soderbergh selbst geführte Kamera Pokemon Arenaleiter ihren in einen schwarzen Mantel gekleideten, durch eine abstrakte und regnerische Urbanität Ard Lifestream.Tv Protagonisten heftet. Natascha McElhone. Es handelt sich um die zweite Verfilmung des Romans für das Kinopublikum nach dem berühmt gewordenen Film vonbei dem Andrei Tarkowski Regie führte. Natürlich kriegt man den Vergleich zum Original von Die Mädchen Wg 2012 nicht aus dem Kopf. Doch diesmal Autobahn Live Stream der Schnitt keinen Schnitt: eine Poltergeist 1982 Stream Einstellung auf den Finger, die Wunde ist wie von Geisterhand Streamcloud Vampire Diaries. Konsequent lässt er die Zweisamkeit seiner Protagonisten in der etablierten Bildsprache implodieren. Dezember wurde der fertige Film der staatlichen Filmgesellschaft Mosfilm vorgeführt. Man kann sich mit den einzelnen Personen Flashx Download Online nicht identifizieren.
Available on Amazon. Added to Watchlist. From metacritic. Maybe Top ? Share this Rating Title: Solaris 8. Use the HTML below.
You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Natalya Bondarchuk Khari Donatas Banionis Kris Kelvin, psikholog Jüri Järvet Anri Berton, pilot Nikolay Grinko Doktor Sartorius, astrobiolog Olga Barnet Mat Krisa Kelvina as O.
Barnet Vitalik Kerdimun Syn Anri Bertona as V. Kerdimun Olga Kizilova Gostya doktora Gibaryana as O. Kizilova Tatyana Malykh Plemyannitsa Krisa Kelvina as T.
Malykh Aleksandr Misharin Shanakhan, predsedatel komissii Anri Bertona as A. Misharin Bagrat Oganesyan Professor Tarkhe as B.
Oganesyan Tamara Ogorodnikova Anna, tetka Krisa Kelvina as T. Ogorodnikova Sos Sargsyan Doktor Gibaryan, fiziolog as S. Sarkisyan Yulian Semyonov Predsedatel nauchnoy konferentsii as Yu.
Edit Storyline The Solaris mission has established a base on a planet that appears to host some kind of intelligence, but the details are hazy and very secret.
Taglines: Let us take you with us to Solaris, planet of mystery, embodiment of man's latent conflict with the unknown.
Man, face to face with his conscience, and with his past. Edit Did You Know? It is now in the Kunsthistorisches Museum in Vienna. Goofs In the weightless scene, in addition to the candle flames behaving as if they were in Earth's gravity, Khari's dress and hair fall downwards, rather than floating upward.
Quotes Kris Kelvin : Well, anyway, my mission is finished. And what next? To return to Earth? Little by little everything will return to normal.
The absence of boyish friskiness, kineticism and pyrotechnics makes it a film that offers no vicarious physical release. Its insistence on remaining cerebral and somber to the end may be a sign of integrity, but it should cost it dearly at the box office.
It was slow, mysterious, confusing, and I have never forgotten it. Soderbergh's version is more clean and spare, more easily readable, but it pays full attention to the ideas and doesn't compromise.
Tarkovsky was a genius, but one who demanded great patience from his audience as he ponderously marched toward his goals.
The Soderbergh version is like the same story freed from the weight of Tarkovsky's solemnity. And it evokes one of the rarest of movie emotions, ironic regret.
Soderbergh "said that he didn't intend Solaris to be a remake of Tarkovsky's film but rather a new version of Stanislaw Lem's novel". As Solaris' author I shall allow myself to repeat that I only wanted to create a vision of a human encounter with something that certainly exists , in a mighty manner perhaps, but cannot be reduced to human concepts, ideas or images.
This is why the book was entitled "Solaris" and not "Love in Outer Space". In , Solaris made Time magazine's "Top 10 Hollywood Remakes" list, saying it was "expertly and exquisitely executed" and "manages to extract that all too rare achievement from a sci-fi film: emotion.
The score was composed by Cliff Martinez in  and first released by Superb Records on Compact Disc in . After being out of print, it was re-released in a remastered edition in January by La-La Land Records .
Six vinyl versions of the soundtrack were later released by Invada Records. The first repress was introduced in  on black vinyl, white vinyl, and picture disc.
From Wikipedia, the free encyclopedia. For other films based on the novel, see Solaris film and Solaris film. Theatrical release poster. James Cameron Jon Landau.
Lightstorm Entertainment. Release date. Running time. Cliff Martinez. British Board of Film Classification.
January 6, Retrieved April 19, Box Office Mojo. Retrieved May 30, Retrieved November 2, Archived from the original on February 18, Additional archives: May 30, Urban Cinefile.
February 27, Retrieved June 4, Retrieved June 14, Film Threat. The Orange County Register. The Seattle Times.
Contact Music. Why filmmakers use pseudonyms". Welkos November 5, Times Staff Writer. The Los Angeles Times. Welkos November 15, Solaris DVD audio commentary track.
Rotten Tomatoes. Gibarian's monologue from the novel's sixth chapter is the highlight of the final library scene, wherein Snaut says: "We don't need other worlds.
We need mirrors". Unlike the novel, which begins with Kelvin's spaceflight and takes place entirely on Solaris, the film shows Kelvin's visit to his parents' house in the country before leaving Earth.
The contrast establishes the worlds in which he lives — a vibrant Earth versus an austere, closed-in space station orbiting Solaris — demonstrating and questioning space exploration's impact on the human psyche.
The set design of Solaris features paintings by the Old Masters. The scene of Kelvin kneeling before his father and the father embracing him alludes to The Return of the Prodigal Son by Rembrandt.
The references and allusions are Tarkovsky's efforts to give the young art of cinema historical perspective, to evoke the viewer's feeling that cinema is a mature art.
The film references Tarkovsky's film Andrei Rublev by having an icon by Andrei Rublev being placed in Kelvin's room. Tarkovsky initially wanted his ex-wife, Irma Raush , to play Hari, but after meeting Swedish actress Bibi Andersson in June , he decided that she was better for the role.
Wishing to work with Tarkovsky, Andersson agreed to be paid in rubles. Nevertheless, Natalya Bondarchuk was ultimately cast as Hari. Tarkovsky had met her when they were students at the State Institute of Cinematography.
It was she who had introduced the novel Solaris to him. Tarkovsky auditioned her in , but decided she was too young for the part. He instead recommended her to director Larisa Shepitko , who cast her in You and I.
Half a year later, Tarkovsky screened that film and was so pleasantly surprised by her performance that he decided to cast Bondarchuk as Hari after all.
The director had already worked with Solonitsyn, who had played Andrei Rublev, and with Grinko, who appeared in Andrei Rublev and Ivan's Childhood Tarkovsky thought Solonitsyn and Grinko would need extra directorial assistance.
The exteriors were photographed at Zvenigorod , near Moscow; the interiors were photographed at the Mosfilm studios. The scenes of space pilot Berton driving through a city were photographed in September and October at Akasaka and Iikura in Tokyo.
The original plan was to film futuristic structures at the World Expo '70 , but the trip was delayed. The shooting began in March with cinematographer Vadim Yusov , who also photographed Tarkovsky's previous films.
They quarreled so much on this film that they never worked together again. Not widely available in the Soviet Union, it had to be specially procured for the production.
The Solaris ocean was created with acetone, aluminium powder, and dyes. The designer and director consulted with scientist and aerospace engineer Lupichev, who lent them a s-era mainframe computer for set decoration.
For some of the sequences, Romadin designed a mirror room that enabled Yusov to hide within a mirrored sphere so as to be invisible in the finished film.
Akira Kurosawa , who was visiting the Mosfilm studios just then, expressed admiration for the space station design.
In January the State Committee for Cinematography requested editorial changes before releasing Solaris. These included a more realistic film with a clearer image of the future and deletion of allusions to God and Christianity.
Tarkovsky successfully resisted such major changes, and after a few minor edits Solaris was approved for release in March The prelude is the central musical theme.
Tarkovsky initially wanted the film to be devoid of music and asked Artemyev to orchestrate ambient sounds as the score.
The latter proposed subtly introducing orchestral music. In counterpoint to classical music as Earth's theme, is fluid electronic music as the theme for the planet Solaris.
The character of Hari has her own subtheme, a cantus firmus based on Bach's music featuring Artemyev's music atop it; it is heard at Hari's death and at the story's end.
Tarkovsky did not consider the Mir cinema the best projection venue. Although Lem worked with Tarkovsky and Friedrich Gorenstein in developing the screenplay, Lem maintained he "never really liked Tarkovsky's version" of his novel.
Lem went as far as to say that Tarkovsky made Crime and Punishment rather than Solaris , omitting epistemological and cognitive aspects of his book.
Tarkovsky's film is about the inner lives of its scientists. Lem's novel is about the conflicts of man's condition in nature and the nature of man in the universe.
For Tarkovsky, Lem's exposition of that existential conflict was the starting point for depicting the characters' inner lives. In the autobiographical documentary Voyage in Time , Tarkovsky says he viewed Solaris as an artistic failure because it did not transcend genre as he believed his film Stalker did, due to the required technological dialogue and special effects.
Galina in the article Identifying Fears called this film "one of the biggest events in the Soviet science fiction cinema" and one of the few that do not seem anachronistic nowadays.
Salman Rushdie has called Solaris "a sci-fi masterpiece", adding, "This exploration of the unreliability of reality and the power of the human unconscious, this great examination of the limits of rationalism and the perverse power of even the most ill-fated love, needs to be seen as widely as possible before it's transformed by Steven Soderbergh and James Cameron into what they ludicrously threaten will be meets Last Tango in Paris.
What, sex in space with floating butter? Tarkovsky must be turning over in his grave. Film critic Roger Ebert reviewed the release for The Chicago Sun-Times , giving the film three out of four stars and writing, " Solaris isn't a fast-moving action picture; it's a thoughtful, deep, sensitive movie that uses the freedom of science fiction to examine human nature.
It starts slow, but once you get involved, it grows on you. Yet his admirers are passionate and they have reason for their feelings: Tarkovsky consciously tried to create art that was great and deep.
He held to a romantic view of the individual able to transform reality through his own spiritual and philosophical strength. In an example of life imitating art, Natalya Bondarchuk Hari revealed in a interview that she fell in love with Tarkovsky during the filming of Solaris and, after their relationship ended, became suicidal.
She claims that her decision was partly influenced by her role. Adam Curtis 's documentary film Bitter Lake includes scenes from this film. The metaphor is that just as the planet influences the cosmonauts who try to influence the planet, there have been cross influences among Afghanistan and its Soviet, American and British invaders.
The film was selected for screening as part of the Cannes Classics section at the Cannes Film Festival. Solaris was released on LaserDisc in Japan in From Wikipedia, the free encyclopedia.
For other films based on the novel, see Solaris film and Solaris film.